Why do we like Entourage?

Unless you're living under a rock, you know that the last and final season of Entourage premiered Sunday. I don't subscribe to HBO, so I couldn't watch it immediately, but saw it yesterday. As the series is coming to a close, it gets me to thinking why I/everyone loves this show. I've been thinking about the storyline - what has really even happened? When did you watch it and go "Wow, that was awesome!" or "This show is so good." I only came up with the episodes at the end of season 6. And maybe that's just because the show sucked so much for 4 and 5, so seeing any good stuff out of the show felt great.

But for real, I was trying to put together what exactly happened over 7 seasons. You could narrow it down to Vince and his success. But is the story really good? When was it good? Season 1 was the only time it was really worth anything. The focus was an emerging superstar taking his friends (and old decaying brother) to Hollywood with him for the ride.

After Season 1, there were expectations. There actually had to be a story that could continue the show. They had to out-do the previous season. And it continues to grow and make everything the previous season seem insignificant. But doing something "better" will make it less realistic/fun. It turned into just a gimmick. Everyone was mad that the Entourage was always succeeding no matter what, so then the writers had Vince take a downturn. Then he came back. Now he's a drug addict. The ride of up and down can only be done so many times before people lose interest.

So what about it was so captivating that we all need to watch it still? I think it's just to see where it ends. We've invested seven seasons into it, hoping for it to recapture the magic of the first season. Every now and then it does. Most times it doesn't. The thing that keeps it worthwhile is Ari and Drama jokes.

If you had to pick your favorite episode, what would it be? I don't think there's one that really stands out, which could mean two things: Every episode is great and flows together (like most great shows), or there isn't a single most memorable episode where you get excited when you see it on reruns.

I can think of funny moments. Ari with the paintball gun comes to mind. But I couldn't tell you what episode was really my favorite from season 2-7. That's sad. I've been thinking about rewatching it, but I just don't see any point. I think it's partially because I'm becoming a "tv snob" and enjoying the drama's more than the comedy's/dramedy's (I really can't stand that we made that a word. The English language breaks down more and more every day) and expect Entourage to be on the same language as The Wire and Breaking Bad. It isn't. It's not meant to be.

End of the day, Entourage is a fun show. That's it. Enjoy it. It's not great television, there's no amazing story arc that's going to make people go "damn, that's great." People will smile and enjoy the 25 minutes from it. That's really it. Not that there's anything wrong with that. Most of America doesn't want a show that makes them think too much. Let's hug it out.

The Sopranos

Okay, so I finally saw The Sopranos all the way through for the first time ever. I know, I wanted to have it done much longer ago too. Whatever.

Preface: I had seen bits and pieces of the show, I received Season 6 Part 2 on DVD as a gift when it came out in 2007ish, but I never saw the episodes prior to. Seeing the last season of a 7 season show is as brutal as it gets; no clue what was really going on, just enjoying 9 episodes and saying "okay, well, that's how it ends." In between I had seen some of seasons 3/4/5 through friends and On Demand, but I never really saw the whole thing. This past December Best Buy had a deal on it (and I was going stir crazy) so the timing was great. Add in the cold weather and lots of long Bolt Busses between NYC and Philly, I've had enough time on my hands to bang this out. That's also why I haven't been blogging much. I didn't forget you kids. I'm coming back to you.

So my verdict? I really enjoyed it. I didn't love it. I think it really messed me up that I knew much of what happened - especially key things in the second half of the series. Especially the ending. Try watching Lost for the first time when you know how it ends with all the smoke monster/Jacob/flash sideways crap from the very beginning. It ruins the whole show.

To be honest, the first and second seasons really weren't that great to me. It felt like an early Mad Men where every episode has a new "client," and the new "client" is "dealt with," and then you never hear about it again. There wasn't as much flow, so it didn't work for me. In that same sense, some of the story lines really didn't add up - and I think it's because "x" amount of time is supposed to pass between each episode, but for me it was about 3 seconds. AJ goes from coming out of suicide ward to getting a girlfriend, blowing up a car, getting a job, and getting a new car in about a episode and a half. When did Bobby Bacala become a serious player? Some of the things shows do to keep it interesting - new characters, or the short story arc characters - most of it felt forced, like you knew they weren't going to be here past the season anyway. Like Julia Stiles' character on Dexter.

I think there's two things that lead me to my verdict: a) I'm 100% biased by The Wire, and because I believe that they set the bar so high, it's hard for anyone else to really compete with it (in my mind anyway). In seeing that first, Sopranos never had a chance to be the best. Reason b) because everyone says Sopranos is good/greatest/best ever, it makes you look harder at the series because you want to be able to justify it for yourself. I can justify The Wire, I don't know if I can justify this in the same way. Not yet anyway - let me watch it again in a couple months knowing the whole story and let me analyze it again. I said the same thing about Mad Men, when I first saw it, I thought it was as boring as a PBS telethon. Now I can justify it better after having it in my system for almost a year. It's also been almost 14 years since the original premiere of the pilot. It's safe to say a lot has happened in the real world that effects the way we tell stories - mainly with the way we communicate over cell phones and the internet.

Quick side note: I would love to see one more season of Seinfeld with e-mail/cell phones/texting/facebook/youtube/twitter/wikileaks/Antoine Dodson and just see the dysfunction. They started with e-mail on the finale, but now that we're so techy, it would be great to see how George would handle the Facebook breakup. Kramer could make a killing on eBay. Elaine is on match.com. Jerry's get's videos on YouTube of how much his acting sucks, etc. It would be beautiful. That's what season 7 of Curb was missing.
It's so different watching a show on demand/DVD in succession because you can go through episode after episode without having time to really process/think/ponder/speculate on what's next, instead you just go into the next one. Obviously I used this blog last year as my Lost brainstorm, where every week I'd go "OMFG THIS IS WHAT I THINK MIGHT HAPPEN, BUT IF IT DOESN'T, THEN IT WILL BE THIS, BUT I COULD ALSO SEE SOMETHING BETWEEN THE TWO, BUT, THEN AGAIN, I'M TOTALLY WRONG WHAT IS GOING ON AHHHH." That conversation basically went on in my head for a week straight, until a new episode, when I'd start the process all over again. I'm not kidding. Anyways, you don't do that when you can watch multiple episodes at a time. Or maybe I'm just growing up. Probably not though.


There felt like there was too many people on the show. I couldn't keep up, they all looked the same and would come/go/die too quickly for me to tell the difference or to care about the minor characters. I say the same thing about Boardwalk too. Speaking of that - I realized I just really don't like Steve Buscemi's style. He plays Tony's cousin in Sopranos, and I wasn't sure the difference between that and Nucky Thompson except for speaking style and attire. Feels like the same character. Clearly I'm in the minority, as Stevie is winning all these awards for Nucky. Good job kid.


As for my take on the "final scene" - I don't think he died. That's such a stupid idea. They called a truce, it was over. The smash cut to black is just a way to end the show. Meadow walks in, they sit down, it's all fine. It was a way to have it go out with a bang instead of a "fade to black" as they all sit at that diner. Whoop-ti-do. It got your attention. It worked. Everyone can't be content with the way a show ends, that's just how it works. You love it or you hate it.
I think we're a little obsessed with the idea of the mafia, and as we heard in the news lately, it's much more real than some of us admit/realize. I have no idea how "real" any of this really is. I'm sure some of that stuff goes on. I'm sure some of it doesn't. I would like to believe that the FBI would have developed enough technology to stop these shenanigans, but I also believe that since 9/11 our attention has turned towards protection than fraud - similar to the cry we hear in The Wire, where nobody cares about the drug addicts as long as no bodies are dropping. This story isn't totally about the mafia, that's where people who haven't seen it are misled. It's called The Sopranos, not The Mafia. The story is about impact of real family as it's impacted by it's father is a mafia boss. How Tony balances being a boss while being a father. The special treatment by others. The arrests. Etc. That's the story here, not just the mafia. That's the wrong answer.

Speaking of The Wire (is it clear how hard I crush on that show? This post is about another show and I'm already over it) I've got two great articles I've been meaning to share - the first is from Wire creator David Simon, as he bashes back against the Baltimore PD who claims Baltimore will take years to overcome the "smear" that was left from The Wire. Awesome "Eff You" letter.

The other is very stupid, but I love it. Social Media According to The Wire. If you've seen the show, you'll agree, if not, don't waste your time.

If you don't laugh at this then we can't be friends.

I'm getting very sidetracked, so before I stop, I do want to say that James Gandolfini did an excellent job as Tony Soprano, the mob boss we all kind of picture in our head, really is one of the reasons of the shows success. An actor like him who has such a presence and ability to play so many different roles on one; Mob boss, father, husband, nephew, cousin, therapy patient, etc.
I'm looking forward to watching The Sopranos again in a couple months, and I'm sure upon a second take will have further appreciation for it. Next up on my TV conquest - Breaking Bad. or I'm re-watching The OC. That wasn't a joke.

Fall TV Thoughts

1) Walking Dead

I'll be honest, I didn't hear anything about this until right around the day of the show's premiere. And I originally wasn't hearing how great it was, just that it was super scary. It wasn't. It was however, instantly compelling because of the way the story was told - and the aftermath. It's kind of Lost-like, in that we have to pick up the pieces after something catastrophic - like Oceanic 815 crashing or a virus turns everyone into the undead, hungry for more flesh - and the story is about how the survivors have to 'live together or die alone'. Man I really miss Lost.

I caught on late, but really like the overall concept. It's not just blood/guts/gore/death, it's really about the human connections made in times of panic. It's weak that the first season was so short and ended on such a rather open-ended note. There's alot of things that leave me scratching my head (how the doctor was going to let everyone die, how they didn't save Merle but went back to try to find him, etc).

With all that said though it is easily my favorite new show, and I have huge expectations for season two now that it's a a 'real' show and has been picked up.


2) Boardwalk Empire

I've said it before how I really want to like this show, but I just need a hook. Something to get me saying "wow." I realized I was treating it more like a Entourage when it's like The Wire in that the story is best appreciated after the last chapter is told. I couldn't agree more - they finally tied up some of the loose ends that started 12 episodes ago, with a really well-shot murder/press conference montage of Nucky.

I'm still not sold with Steve Buscemi. I said it before, I'm still not. I talked before how I think sometimes the people on Mad Men act too proper, and Boardwalk they act even more proper. That's our perception of how things were, we'll never know if it actually was. Maybe I just cannot fathom being in that time period and speaking in that manner. In the future they won't believe how we speak I suppose.

The end of the season set things up for an amazing second season with Darmady and Nucky's brother trying to truly "take back" AC. It was finally worth the long three months of the show.

3) Dexter

This season is really great. I originally thought that the first few episodes were so weak that this season was going to be such a drag. It picked up very, very quickly and getting Jordan Chase has become this huge priority. I still don't think it's better than the Trinity Killer of season 4, but it is interesting. I'm also guessing Lumen dies or takes the fall or something. It wouldn't be Dexter without him losing something.

Also, real quick - that might be the worst promotional poster I've ever seen. Just looks dumb.

4) Treme

Okay, so this isn't a new fall show, but it's been on my list since the summer and for some reason I didn't get around to it. I finally am getting around to it on round two of my "funemployment" experience.

I knew Treme as David Simon's latest creative show since the end of The Wire. Clearly, I'm a huge Wire guy and still believe it is the best show ever created on so many levels. That's what originally draw me to Treme. I heard about Treme as "Serious Glee." I've never seen Glee, but from what I've heard it doesn't sound like the type of thing I would be into. Except if they do a Bruce Springsteen episode, and even that might be brutal. Anyways, the Glee comparison scared me a little bit, but I gave it a shot because of The Wire connection.

I believe Treme is actually excellent. It looks at something that we as a country never really wanted to acknowledge - the aftermath of New Oreleans following Katrina. We were too worried about how we failed - on so many different levels - to worry about what the people still there were doing, and how this devastating event actually changed them and their way of life. I really don't think we can ever comprehend. Our country is so East Coast Bias with regards to the Northeast that we tend to ignore things going on elsewhere. It's a big country.

I personally didn't know much about the New Orleans musical history, or Indian heritage, and found it all to be fascinating and captivating all at the same time, mainly because it really happened. We can waste all the time we want talking about Lost, Dexter, Walking Dead etc, but none of them actually happened. Treme actually happened. Maybe not the exact way it's portrayed, but similar types or stories did occur all over the area.

I realized what makes David Simon so great is his authenticity. The Wire felt real. Treme feels real, as if you're watching a real reality show. Or reading a graphic novel. Other shows dumb things down to appease the viewer. This doesn't. The thing that's interesting is there hasn't been a hook - something that really captures my attention, but for some reason it has. Nothing really happens, there is no resolution to even the smaller plot lines. And I love it. Really looking forward to season two.

Is it time for Jersey Shore Season 3 yet?????

Entourage Season 7 Finale

I'm sorry I'm behind. Having a real job is exhausting. Trying to keep a social life is even more exhausting. I still love you, I promise.

I personally was thrilled with the Entourage finale. The season was kind of eh, but the finale validated the downturn. Because they already had everything fall apart, but it was magically fixed for a feel-good end. That was how the show was supposed to go. Everything feels good.

But this time it went bad, real bad. The biggest problem isn't Vince becoming addicted to drugs and is out of control; it's that he's turning his back on his friends - especially when he's there for them. The point of the show is the friendship. They're losing that. It's far more serious than it's ever been. Medellin was just a terrible movie. Turning your back on your friends and going on a downward spiral is far worse - something you can't just "get out of".

I immediately thought about the celebrities you hear about who have these crashes - Lindsay Lohan and Britney Spears come to mind - who go crazy and reach a breaking point (jail, DUI, shaving your head, among other things) and are making a desperate cry for help. That's Vinny right now. That's what the whole season has been. Really when you think about it, it's been building to this point since the season 5 freefall when Vince loses control and actually did fire Eric. I think we forgot that it happened because everything was fixed 6 minutes later. Season 6 was nice, but it was clearly temporary.

Even with Ari - the once powerful agent who was an ass at work and the hero at home, his worlds have collided, and now everything COULD fall apart.

It's the celebrity lifestyle going to the head of these people - they don't stay the same. The only one that's really the same is Drama - and isn't that a relief.

You get the feeling that going into a short season 8 and with a predicted movie coming, the ship will right itself before the ultimate end, but Doug Ellin's created enough drama to keep people interested. The friendship will stay true, but there's still a little bit more to come until then.